Grave Miasma - Exalted Emanation [EP] (2009)

 

Grave Miasma is an Occult Death Metal band from England. The band was first formed in 2002 under the name of Goat Molestör. One demo tape, Ancient Barbaric Assault, was released under this name, as well as the Realm Of Evoked Doom 7" in 2005.

The band changed its name to Grave Miasma in 2006 and eventually released the Exalted Emanation MLP on September 9th 2009 on Sepulchral Voice Records. The Realm Of Evoked Doom EP was later re-released on CD with improved sound by Nuclear Winter Records.

 

-Tracklist:

A1. Intro  00:49
A2. Arisen Through The Grave Miasma  06:11   
A3. Gnosis Of The Summon  05:06   
A4. Amorphous Noumenon     06:56
B1. Pillars  06:52
B2. Interlude     00:39
B3. Kussa'u Tibtihu  08:51

 

 

-Line up:

• A: Bass
• C.C.O.T.N.: Guitars, Vocals
• DBH: Drums
• Bestial Aggressor of Morbid Invocations: Guitars.

 

 

 

 

Label: Sepulchral Voice Records.

Embossed band logo on front cover. Issued with a poster and an A5-size 12-page booklet with lyrics.
Although the release is over 35 minutes long, the band consider it to be a mini-LP. 

 Drums recorded at Sirkus Studios (Nottingham), May 31, 2008.
Guitars, bass and vocals recorded at Muscle Studios (West Huntspill, Somerset), June 6-8, 2008.
Additional guitars, vocals, mixing and effects done at Priory Studios (Sutton Coldfield), mid-late 2008.
Mastered at Rape of Harmonies.

 

 

 

 

 2014.04.26  SWR Barroselas Metalfest XVII (Por)

 

 

 

Akerbeltz - A Wave Of Darkness (2000)

 

''Akerbeltz is an active band since 1996. Originally formed by Lilith and Akerbeltz; Lilith soon leaves the band for musical differences but continues collaborating occasionally in some recordings.

 

Editions:

 
- Spreading the Eternal Mayhem. (Blut und Eisen, Germany).
- A wave of Darkness. (Metal Millenium, Germany).
- Tabellae Defixionum. (Metal Millenium, Germany).
- Akerhell. (Metal Millenium, Germany).
- Never Deny from the Powers of Sorcery. (Last rights, U.S.A.).
- Infernuko Erreka. (Oniric records, Spain).
- Satànic (Black Seed Productions, Spain) coming soon.

Apart from these recordings, I have recorded several splits and demos with labels from all over the world and with different bands from Iran to Finland ...
Despite not being a live band, after “Never Deny ... “ I played a gig at the Under the Black Sun Festival in 2005; I've also done a couple of cameos with other bands on some occasions.
I have played several instruments on projects and groups not directly related to black metal since 1989. I also played the guitar in Countess, Beheaded Lamb and Harridan; I sang a track on a Sale Freux album in which I also played the drums and the vocals on a demo of Winter Frost.
I play the drums in full activity at Körgull The Exterminator. During the 90s I collaborated in several Underground fanzines. Currently my activity in Akerbeltz is still powerful and I’m eager to continue the spell that began twenty years ago.''

 

 

-Tracklist:

1.  Burial of the Hyperborean Witch     05:03
2.  Conspiracy     06:11
3.  Fire (The Punishment of Lilith)     03:55
4.  Infernucoerreca     06:32
5.  Doomed     03:59
6.  Black Anni's Bower     07:09
7.  Burn in Hell     04:45

 

-Line up:

 • Akerbeltz: All instruments, Vocals.

 

 

 

 Label: Millenium Metal Music.

"Burn in Hell" is taken from the demo "Spreading the Eternal Mayhem".

Recorded at Les Golfes Studio by Akerbeltz and Marc Puig.

 

 

 

Moonblood - Fullmoon Witchery [Digipack] (2002)

 

 Moonblood somehow arose out of the ashes of Demoniac who formerly have been active since 1990 under the name of Purulent Obduction and playing primitive Doom/Death Metal in the vein of Asphyx, My Dying Bride, Paradise Lost, Autopsy and other bands of that period. And Purulent Obduction was the continuation of Bloodbrain, an raw early Thrash/Deathcore act that was started sometime in early 1989 as T and A (Terror and Agnostic) by Tino Mothes (aka Occulti-is, later Occulta Mors) and Andreas Schwach (aka Lord of the Necrotic Slaughters, Lord Asmoday).
Partly other local "musicians" have been shortly members of the project in person of Michael Männel on guitar and Heiko Kahn (later joined the Hardcore band 4 Behind 3) on the drums. The line-up just lasted for a year or even less but long enough to play a horrible live show and 2 even more horrible sounding Grindcore Demo tapes (with Andreas Schwach and Tino Mothes as remaining members) were recorded in the attic namely "Satan's Lust" (end of 1989) and "Cadaverous Mutilation" (1990). Tino Röder (aka Necromaniac, Count Damien Nightsky), who was playing with the local Schneeberg Thrash/Crossover band Septic Terror (in the vein of S.O.D./Sodom/Kreator - Members: Torsten Seifert - Guitar, Tino Röder - Guitar, Torsten Oettel - Drums, Mirko Oechsner - Vocals) joined in late 1990 as guitarist and from this day forward the band was known as Purulent Obduction while the Grindcore changed to doomy Death Metal.
Besides Purulent Obduction Tino Mothes and Andreas Schwach had a Grind/Noisecore project running as well called Excrement Terror were they recorded several sick trax that have been available in form of a Demo tape called "Achachnophobia" back in 1991 (Excrement Terror in 2014).

Purulent Obduction played 3 live gigs and locally released 3 Reh/Demo tapes ("Rotting Corpse" - 1991, "Live in Unterheinsdorf" - 1991, "Addictive" - 1992) until in spring 1993 they got the idea to change the band name once again due to the slightly changed lyrically content. The name they'd chosen was Demoniac and a first Demo "Divine grudge" was released in March 1993 while the musically concept did not change until late summer/autumn 1993 when Mirko Schmat (Blacksoul, later Gaamalzagoth) joined on vocals and they also started writing faster, more Black/Death Metal oriented material highly influenced by Samael, Darkthrone, Mayhem, Emperor or Burzum. The line up was consisting now of Necromaniac - Guitar, Occulti-is - Drums, Lord of the Necrotic Slaughters - Vocals, Blacksoul - Vocals. With that line up they quickly recorded the Reh/Demos "Blaspherion" (September '93), "Black Prophets" (Oktober '93) and "Jesus never lived" (Januar '94). Shortly after releasing "Jesus never lived" that had almost no Death Metal influences of the early days left, the band broke up because of internal trouble. Necromaniac and Lord of the Necrotic Slaughters started Andras while Occulta-Mors and Blacksoul decided to change the band name to Moonblood because another band from New Zealand just had released their first Demo almost at the same time when they sold their last Demo "Demoniac" in early '94, a kind of compilation of 93er recordings.

In July 1994 after several months of intense recording sessions Moonblood finally had enough material for a fullenght Demo (entitled "Moonblood"). Sadly the sound was utter garbage, while the songs itself haven't been that horrible though. With that tape they got in touch with Unholy Baphomet Records to release the "Nosferatu" Demo in late 1994, a 40 min fucker on pro-tapes but again with terrible rehearsal quality. In January 1995 Moonblood entered for the first time ever a recording studio, the Digan Tonstudio in Annaberg (where most of the Death and Black Metal bands in that area recorded their stuff) and recorded the "The winter falls over the land" tape. Sadly they have been too unexperienced for such a session so the whole tape was mixed by the sound engineer himself. Therefore they later wasn't much satisfied with the result in the end. September in the same year they once again entered the Digan Studio again highly motivated to record 5 more trax, including the intro of the coming album. This time the sound mix was much more of their liking. In October, one month later, they released a Reh/Demo Tape that shouldn't really appear in their discography as lyrically it didn't fit in their concept. Therefore "Siegfried" was limited to only 50 copies, german written verses based on the Nibelungen Epos with Bathory-ish music underlayed. Definitely shouldn't represent Moonblood in general.

The next studio date was in February 1996 when they recorded the first album "Blut & Krieg" for the label Majestic Union Records again at Digan Studio. In August 1996 Unholy Baphomet Records finally published the Split 7" with Nema, which the track "Moonstruck" was recorded for in September 95. "I am all" from the same session was placed on the canadian Compilation CD "Under the pagan moon". In November 1996 they had another Digan date and recorded the outrageous "Fullmoonwitchery" and the hymnic "Under the abyssic black of the 3rd angel" (previously never used). The cassette version of "Blut & Krieg" was ready in March 1997 as a co-production of Majestic Union and Sombre Records. They've made 666 copies and in contrary to the LP version contains "I am all" and "My evil soul" from the September 95 session as bonus trax. July 1997 the "Enceclopedia Pestilentia" Triple Compilation CD's got released and they opened the massacre with the aforementioned "Fullmoon-witchery" track. In the meanwhile they were waiting for the release of "Blut & Krieg" on vinyl as promised but nothing more happened in 1997 except that Moonblood entered the Digan Studio again in November 97. Originally the 5 tracks recorded should be meant for a Split CD with malay Black Metal band Purnamwulan but it just did not happen. In March 1998 Sombre Records released the Split 7" with Asakku with Moonblood's part being "Hordes of hate", the last  unreleased track from the September '95 session. Sombre Records also suggested to do the "Blut & Krieg" LP by himself which happened already in November. He did 333 copies, but it's not a secret that more copies are circulating. When he died there was a complete box with 50 copies (or more) found at his place. You should at least watch out for the insert and the sticker if you plan to buy the LP, all copies without them are highly doubtable, especially the stickers as they've made them by theirselves, so there are just 333 stickers available. It was in August 98 when they recorded 7 new trax in a newly built up recording studio in their neighbour city and part of the songs have been used for the Split Tape with brazilian band Evil. Sometime in autumn 1999 the whole songwriting process began to stagnate, they still rehearsed but apparently have both been busy with other things in their life. Moonblood called it's quit somewhere in late 1999 while Occulta-Mors already had recorded songs for his Nachtfalke project and was also been playing bass in the Death Metal band Lyssa while Gaamalzagoth was more focussed on Azaxul that he started in 1997. Still in December 99 the Split 7" with czech Inferno once again on Sombre Records was published. The track "Kingdom under funeral skies" from the Erzschlag session August 98 and the Split Tape with Evil was ready in the same month featuring "Burning in hell" a hommage to early Bathory, "These graves and wooden coffins are my realm" and "The quest for the doctrines of might and wisdom" of the same session and the second mix with the shitty vocal effect. The tape was a co-production of the Southern Productions label and Gaamalzagoth's own Steeldawn Inc. Though on the paper Moonblood was dead they received an offer from End All Life Records for an album and decided to record some of the last tracks so they lended an 8-track-recorder from the Erzschlag Studio and in mid November 1999 Katharsis agreed that they could use their other technical equipment (they almost had a complete demo studio there except of the 8-tracker) to record "Taste our german steel!" (released March 2000) at the Reichsmusikkammer Ruppertsgrün. The session included the track "Troglodytin" too that appeared only on the "Black Metal Blitzkrieg" Compilation LP (March 2001 - EAL). 2 months earlier in January the Split LP with Deathspell Omega was ready that EAL did together with Sombre Records. The reason for doing that was because of the massive left over material of the November 97 Digan session that was meant for the Split CD with Purnamwulan and later with Rhodos based Adhill that both did not happen. From that session the track "Supreme black forces of steel" was still unreleased and Sombre Records did a 600 copies edition Split 7" with Katharsis in late 2001. The very last recording session happened in September 2000 again at Reichsmusikkammer Ruppertsgrün. There don't even exist rehearsal versions of the "Dusk Woerot" trilogy (unlike of all the other studio tracks) as it's prohably the last material that they wrote together. The songs has been the first time ever recorded there in the studio. "Born to live in the shadows of damnation" was at that time a really old song. Therefore the huge difference in the songwriting and style. "Dusk Woerot" Demo was published on Ataud Y Muerte Syndicate (666 copies) in Colombia. After during the years gone uncountable masses of bootlegs on Tape, CD and Vinyl did appear, the band decided to re-release everything again and this way take out the wind of the bootleggers sails. "From Hell - The Gift of Hatred" was an anthology vinyl box containing 4 LP's plus a 7" with (even partly unreleased) old studio and 4-track recordings, all restaurated from the original master tapes, done in co-operation with Iron Bonehead and Tales from the Crypt. Furthermore the immense bootlegged "Blut & Krieg" album got it's long expected vinyl and CD re-release together with the complete "Sob a lua do bode" session. All ever recorded studio trax of the band are now available on official professionally remastered CD's. In summer 2015 Gaamalzagoth finally realized the idea that was born when writing the liner notes for the "From Hell" vinyl box book, to finish the 2 unfinished trax recorded back in 1999, that both have been featured in that vinyl box without vocals and he recorded the missing vocal trax. Both songs are now officially available on a limited vinyl edition for collectors (525 copies - 150 clear vinyl + 375 black vinyl) and simultaneously as part of a Split CD with ENSOM SKOGEN and FORGOTTEN SPELL. This release marks the final act of the bands long discography. In the meanwhile 3 of the founding members of Demoniac have started rehearsing again. Some first pre-production versions of new material you can find on Myspace. A full album is almost recorded, featuring old re-recorded and re-arranged songs from 1993 (songs are known from the '94er Reh/Demo like f. e. "Inquisition") and completely new material, also in the vein of the early 90's Black Metal style. We hope to finish recordings and mixes until summer this year. DEMONIAC is currectly looking for a label to release the album on vinyl format.

 

-Tracklist:

1. As The Soul In The Blazing Banner Of Darkness     5:17
2. Dwelling In Darkness     1:37
3. Under The Goatmoon     8:18
4. Burning In Hell     5:00
5. Fullmoon Witchery     4:42
6. Under The Abyssic Blackwings Of The 3D Angel     5:42
7. Midnight     4:20
8. Kingdom Of Forgotten Dreams     4:35
9. Supreme Black Forces Of Steel     5:09
10. Watchtowers Of Darkness Part II     7:57

 

-Line up:

• Occulta Mors: Instruments

• Gaamalzagoth: Vocals.

 

 

 

 

Label: Goat Moon Worship Records.

Unofficial album created using songs from various demos of the band.

Tracks 9 and 10 taken from split with Katharsis.

Limited to 666 copies on A5 digipack.

 

Celtic Frost - Into The Pandemonium (1987)

Tom G. Warrior and Martin Ain formed Celtic Frost after the break-up of Hellhammer.

They first disbanded in 1987 but six months later Warrior reformed the band. When they reformed in 2001, they founded their own record label called Prowling Death Records and their own publishing imprint called Diktatur des Kapitals, to gain absolute control over their music. Later, Celtic Frost and Prowling Death Records signed a worldwide licensing deal with Century Media Records, so the rights for their new material is their own and is released by Century Media.

A demo tape called Prototype exists. Among other tracks, it contains two Apollyon Sun tracks, "Relinquished Body" and "Deep Inside".

Cold Lake is largely different from anything else they have ever recorded. The band has repeatedly disowned this release and attribute the shocking change in style to pressure from the record company.

Singer and guitarist Tom Gabriel Fischer announced his departure from Celtic Frost on 9th of April 2008, due to "the unresolvable, severe erosion of the personal basis so urgently required to collaborate within a band so unique, volatile, and ambitious." It was confirmed in a joint statement by Fischer and Martin Ain in September of that year that Celtic Frost had disbanded again. Fischer later founded a new band called Triptykon and Ain planned to carry on with a new project with drummer Franco Sesa.

 

 

-Tracklist:

Side A:
1.  Mexican Radio (Wall of Voodoo cover)     03:29
2.  Mesmerized     03:24
3.  Inner Sanctum     05:16
4.  Tristesses de la Lune     02:58
5.  Babylon Fell     04:19

Side B:
6.  Caress into Oblivion     05:14
7.  One in Their Pride     02:51
8.  I Won't Dance     04:33
9.  Rex Irae (Requiem)     05:58
10.  Oriental Masquerade     01:16

 

-Line up:

• Tom G. Warrior: Vocals, Guitars, Synth, Effects
• Reed St. Mark: Drums, Timpani, Percussion, Vocals, Synth
• Martin E. Ain (R.I.P. 2017): Bass, Vocals, Effects.

 

 

 

 

 Label: Noise Records.
 
 Recorded from January-April 1987, at Horus Sound Studio, Hannover, Germany.
 
Mastered at  Studio-Nord-Bremen.
 
 Unlike the other members of the string quartet, Jürgen Paulmann is only credited in the general credit section, not in the credit section of 9 and 10 which feature this quartet exclusively.

 

 

 

 

 

Vital Remains - Dechristianize [Promo] (2003)

 

Guitarist Paul Flynn formed Vital Remains in 1988. Vital Remains' first line-up included Paul Flynn on lead guitar, Butch Machado on rhythm guitar, vocalist Mike Flynn, bassist Tom Supkow and drummer Chris Dupont. Mike Flynn is credited with coining the band's name. Paul soon revamped the band with musicians that fit his vision, and added Tony Lazaro and vocalist Jeff Gruslin to the line-up. Lazaro and Flynn shared the song writing duties, and released a pair of demos (1989's Reduced to Ashes and 1990's Excruciating Pain). The band secured a contract with French label Thrash Records, and released the single "The Black Mass" in 1991. Shortly after the release, the band signed to Peaceville's subsidiary label, Deaf Records. Vital Remains released Let Us Pray in 1992, as well as Into Cold Darkness in 1995. However, the band requested contract dissolution with Deaf Records, citing poor distribution, and a lack of promotion. In 1996, Dave Suzuki joined the band, initially playing drums. Suzuki eventually contributed guitar work, as the band worked on their next album. In mid 1997, Vital Remains signed a two-album deal with Osmose Records. Paul Flynn left the band, citing family obligations. The band released Forever Underground in 1997. Chris Ross from Cape Cod joined the band as the vocalist and Metal Maniacs said "that no band on the planet put on a headbanging show of satanic fury than Vital Remains." The band released Dawn of the Apocalypse in 2000, which featured vocalist Thorns (Timothy Donovan). The album debuted a new, heavier style. Thorns was fired from the band in 2003.

 In 2003, Glen Benton, vocalist/bassist of Deicide joined Vital Remains as a session vocalist for Vital Remains' fifth album Dechristianize. The album received critical acclaim, and the band toured in-between Deicide's touring schedule. The band followed up with Icons of Evil in 2007, which also featured Glen Benton as a session vocalist and continued the same musical style as Dechristianize. Vital Remains also released their first live DVD, Evil-Death-Live, through Polish label Metal Mind Productions. Dave Suzuki left the band, shortly after the release of Icons of Evil.

 -Tracklist:

1. Let The Killing Begin     1:59
2. Dechristianize     8:56
3. Infidel     6:18
4. Devoured Elysium     5:44
5. Savior To None... Failure For All...     6:37
6. Unleash Hell     5:58
7. Rush Of Deliverance     7:08
8. At War With God     7:55
9. Entwined By Vengeance     10:01

 

-Line up:

- Glen Benton: Vocals
- Tony Lazaro: Guitars (rhythm), Songwriting
- Dave Suzuki: Drums, Guitars (lead), Bass, Lyrics.

 

 

 

 

Label: Century Media.

 

Issued in a cardboard sleeve.
Recorded, Mixed and Mastered at Morrisound Studio, in Tampa, Florida, U.S.A., between April 29th and May 11th 2002.

Re-mixed at Sound Station Seven, in Providence, Rhode Island, U.S.A., between July and December 2002.
Mastered at Masterdisk Studios, in New York City, New York, U.S.A.
"Let the Killing Begin" features a section of Carl Orff's "O Fortuna" and vocal tracks from the movie "The Greatest Story Ever Told".

 

 

2016.11.04 Pub Transylvania, Vigo (Esp)

 

 

Inquisition & Profane Creation - Summoning The Black Dimensions In The Farallones / Nema [split] (1996) 2 x Picture Disc (2006)

I  N  Q  U  I  S  I  T  I  O  N

In 1988 Dagon formed the thrash metal band Guillotina in Cali, Colombia. However, no demos were ever recorded and no official releases have surfaced yet. While there is a rehearsal that may appear into the underground one day, there is also a videotape of the band's live debut 1988 when they opened for Nemesis and Reencarnacion. The band continued with their thrash sound until about 1994, when they evolved into a black metal band.

In April 1996, Dagon left Colombia and moved back to the United States to continue Inquisition and search for a new drummer. That same year Dagon met Incubus, who joined the band on drums and the creation of their debut full-length album began. This line-up has remained stable since then and is now seen as the classic Inquisition line-up.

Dagon is of Colombian mother and American father, and originally from the United States, but had moved to Colombia. Inquisition's early records were first released in Colombia and it was there that they first performed live playing alongside bands such as Reencarnacion, among others.

According to an interview with Heavy Metal Home TV, Inquisition had a bass player in 1998 (most likely Debandt) but he was kicked out due to drug-related problems.

 

P  R  O  F  A  N  E     C  R  E  A  T  I  O  N 

Was born in 1991, died in 1996, reborn from the deads in 2014.

Profane Creation was born in 1991 with the purpose of executing a Black Death Metal, in that time the band was formed by: Ciro (Vocal) / Rochesther (Guitar) / Hilário (Bass) and Rogers (Drums).

They make its live first presentation in June of 1992 and little time then, in April of '93, they record the first demo called " Into the Dark Side ", not very later Hilário leaves the band due to personal reasons, after several attempts to add a new member to substitute him without success, Profane Creation decides to proceed ahead as a trio.

 

UCR LP 0512

 

-Tracklist:

Summoning The Black Dimension In The Farallones
A1.Inquisition - Intro: Chant On The Unholy Victory / Whispering In Tears Of Blood    
A2.Inquisition - Incense Of Rest    
A3.Inquisition - Encounter In The Dee Shadows    
B1.Inquisition - Vision Of The Pagan Lord    
B2.Inquisition - Meditation Before The Kill    
B3.Inquisition - Summoning The Black Dimensions In The Farallones 

   
 Nema
C1.Profane Creation - Prelude    
C2.Profane Creation - Nema    
C3.Profane Creation - Cross Of The Deads    
D1.Profane Creation - The Rebellion    
D1a.Profane Creation - Part I: ...Full Moon    
D1b.Profane Creation - Part II: Angels Tears    
D1c.Profane Creation - Part III: Lamentation    
D2.Profane Creation - No Mercy.

 

-Line up:

 

 Inquisition:
- Dagon: Guitars, Vocals, Bass, Songwriting, Lyrics- John Santa: Drums (tracks 1-4)

Profane Creation:
 - Rogers Cypher: Drums- Rochesther Cypher: Guitars, Bass, Lyrics- Ciro Vooheres: Vocals, Lyrics 

 

 

 

 Label: Undercover Records.

Gatefold cover sleeve. Limited to 500 copies. 

 

 

 

Inquisition's part:
Tracks A1 to B2 recorded in 1994 under 11th fullmoon of 1994.

Track B3 recorded in February 1996.
Executive producer: Sylphorium Records.

 

Profane Creation's part:
Recorded in the winter of 1995.
All music by Profane Creation.
Producer: Profane Creation.
Executive producer: Sylphorium Records.

 

Inquisition - SWR Barroselas Metalfest X, 2007.04.28

 

 

Soulburn - Feeding On Angels (1996) Promo

 

Rogga Johansson and Bob Bagchus formed the band To the Gallows in 2013 with the idea to play old-school Doom/Black Metal in the old Bathory style. They called Eric Daniels and Henri Sattler to fill the line-up. As the writing process for a first full-length moved ahead, they decided to change the band's name to Soulburn in early 2014. Rogga Johansson eventually left the band.

 Originally Soulburn emerged after a first demise of Dutch death metal legend Asphyx in the mid 90’s, when founding members Eric Daniels (guitars) and Bob Bagchus (drums) looked for a seperate outlet to unleash their mutual obsession with Bathory and Venom. After a demo and the cult “Feeding On Angels” debut album via Century Media Records in 1998, which featured Wannes Gubbels (Pentacle) on vocals/bass, Soulburn were put to rest when Asphyx returned with “On The Wings Of Inferno” (2000) with the same line-up. Soulburn was dead, buried, but not forgotten...

 

-Tracklist:

1. Enter the Flames of Soulburn (Intro)   01:16
2. Hellish Entrapment     07:36
3. Crypts of the Black     04:02
4. Hymn of the Forsaken     05:02
5. Feeding on Angels     07:43
6. Storming Hordes     05:26
7. Throne of Hatred     03:32
8. Behold the Funeral Candle     05:49
9. ...the Flames of Soulburn     00:50

 

-Line up:

• Eric Daniels: Guitars, Songwriting
• Bob Bagchus: Drums, Songwriting
• Wannes Gubbels: Bass, Vocals, Lyric.

 

 

 

Music: Eric Daniels & Bob Bagchus, Lyrics: Wannes Gubbels

Comes in cardboard sleeve.

 The album was only released in Europe, all copies found in America were imports.
Re-released by Century Media in 2009 with seven rehearsal bonus tracks, and lyrics now printed in the booklet.

All songs Recorded & Mixed at Harrow Production Studio Losser Holland
Engineered & Mixed by Harry Wijering during Late Dec 1996 & Jan 1998
Mastered at DMS Germany
Vocals recorded on Friday the 13th during the Full Moon.