Mostrando entradas con la etiqueta Morbid Angel. Mostrar todas las entradas
Mostrando entradas con la etiqueta Morbid Angel. Mostrar todas las entradas

jueves, 15 de diciembre de 2022

Nile + Morbid Angel + Kreator 09.11.2012 Sala Chanteclair, Valga, Pontevedra (Spa)

 

 


 

 


 




-Setlist:

01. Sacrifice Unto Sebek
02. Defiling the Gates of Ishtar
03.Kafir!
04. Hittite Dung Incantation
05. Enduring the Eternal Molestation of Flame
06. Permitting the Noble Dead to Descend to the Underworld
07. Sarcophagus
08. Ithyphallic
09. Supreme Humanism of Megalomania
10. Black Seeds of Vengeance

Kafir!

 

 

 

 

 


 

 






 -Setlist:

Immortal Rites
Fall From Grace
Rapture
Maze of Torment
Sworn to the Black
Existo Vulgoré
Nevermore
Lord of All Fevers and Plague
Chapel of Ghouls
Where the Slime Live
Blood on My Hands
Bil Ur-Sag
God of Emptiness
World Of Shit (The Promise Land)

Rapture





 








 

 -Setlist:

Mars Mantra  - Intro
Phantom Antichrist
From Flood Into Fire
Enemy of God
Phobia
Hordes of Chaos (A Necrologue for the Elite)  
Civilization Collapse
Voices of the Dead
Extreme Aggression
People of the Lie
Death to the World
Coma Of Souls/Endless Pain
Pleasure to Kill
The Patriarch  
Violent Revolution
United in Hate
Betrayer
Flag of Hate
Tormentor

Enemy of God

 



 

martes, 12 de noviembre de 2019

Morbid Angel - Altars of Madness (1989)

Altars of Madness is the debut studio album of Florida-based death metal band Morbid Angel. It was released on May 12, 1989 through Combat Records/Earache Records. The album was recorded in December 1988 at Morrisound Recording in Tampa, Florida. The album is one of the earliest examples of death metal and is considered to have helped pioneer the sound along with Possessed's Seven Churches in 1985 and Death's Scream Bloody Gore in 1987, and set a new precedent for heaviness and extremity, both musically and lyrically. It is one of the most celebrated albums in death metal history, and one of the most influential heavy metal albums of all time. The overtly Satanic and occult lyrical themes were a significant influence on the early Norwegian black metal scene.

Frontman David Vincent's vocal style was influenced by the early English grindcore scene and fellow floridian Chuck Schuldiner of Death. The album's style is also characterized by extremely fast performances, complex compositions, and technically demanding musicianship. Guitarist Trey Azagthoth has noted that psychedelic music was an inspiration for his writing on the album, particularly Pink Floyd. When writing guitar solos on the album, he abandoned the use of traditional scales and said that "I would just pick an area on the guitar and play it without really looking at it. I'd connect it in a different way." Speaking about his motivations at the time of writing and recording the album, Azagthoth said:

    ''Back then, I really wanted to destroy everybody. I wanted people to have to work a lot harder after the fans witnessed what we had going on. I wanted to smoke people. I really believed that bands were challenging each other, trying to outdo each other and make each other quit - almost like the rivalries with East Coast and West Coast rappers. I really kind of thought people wanted to write parts that would engulf the whole world. I wanted to get onstage and have people go, "Holy shit - what the fuck is going on?" I wanted to write stuff that would make other bands run and hide. It's not really very nice, but that's what drove me."

The album features a number of tracks that were originally recorded for what was supposed to be their debut album 'Abominations of Desolation', originally recorded in 1986 but which was only released in 1991. The band was unhappy with the final product of 'Abominations of Desolation', Azagthoth in particular, who did not believe it was what he had envisioned. In December 1988 the band returned to the studio to record what would become their true debut release, 'Altars of Madness'. Almost all of the songs on that original demo recording have since been re-recorded and appeared on various Morbid Angel albums. The band has explained that in many ways they felt unprepared when they entered the studio, despite them having practiced extensively beforehand. The band chose the studio because it was located close to the band in Tampa, and considered it the preeminent studio at the time. David Vincent called it a "trial run", but that he was "really pleased that everything came together when it finally did."

The cover artwork, by Dan Seagrave, depicts "a flat disk made of a fossil material, that has captured souls". Seagrave has said:

    This was something I'd been working on at home, which the band saw partially finished. It consequently became my first Death Metal cover. Prior to that I'd been making album covers for British thrash bands like Warfare, and Hydravein. Even though I was 18 when I did it, I still think it's quite interesting. It's not supposed to be spherical as has been suggested. It's more like a flat disk made of a fossil material, that has captured souls.

MOSH 11 MC

-Tracklist:

Side A:
1. Immortal Rites     04:05
2. Suffocation     03:14
3. Visions from the Dark Side     04:08
4. Maze of Torment     04:23

Side B:
5. Chapel of Ghouls     04:58
6. Bleed for the Devil     02:22
7. Damnation     04:09
8. Blasphemy     03:28
9. Evil Spells     04:12

-Line up:

 - David Vincent: Vocals, bass, songwriting, lyrics
 - Trey Azagthoth: Guitars, songwriting, lyrics
 - Richard Brunelle (R.I.P. 2019): Guitars
 - Pete Sandoval: Drums



Recorded and mixed at Morrisound Recording, Tampa, Florida.
Co-produced by Morbid Angel.

This is Morbid Angel's debut album, not Abominations of Desolation, which was recorded in 1986 but not officially released until 1991.










09.11.2012 Discoteca Chanteclair, Valga, Pontecesures (Esp)

Morbid Angel

lunes, 27 de marzo de 2017

Morbid Angel & Possessed - Morbid Angel/Possessed [split] (2005)

 

Formed in 1983 by Mike Browning, Trey Azagthoth, and Dallas Ward, Morbid Angel are known as one of the pioneering bands of the death metal genre and also the first death metal band to have significant commercial success, selling over a million albums throughout their career. This is due in part to them also being the first death metal band to get signed to a major record label, Giant Records, in association with Warner Brothers Records.
For some time Morbid Angel were an instrumental band until bass player Dallas began performing vocals.

Possessed are hailed as the godfathers of the death metal genre. They are considered by some to be the first death metal band and that the name of the genre comes from their first demo, entitled Death Metal.
Possessed was formed by guitarist Mike Torrao, drummer Mike Sus. Jeff Becerra from Blizzard came into the band, and soon was joined by second guitarist Brian Montana. This lineup recorded the 1984 demo Death Metal and also an appearance on the Metal Blade Records Metal Massacre VI compilation with the song "Swing of the Axe". 



-Tracklist:

A1 Morbid Angel - Thy Kingdom Come   3:56
A2 Morbid Angel - Abominations     4:22
A3 Morbid Angel - Blasphemy Of The Holy Ghost     3:33
A4 Morbid Angel - Lords Of All Feveres & Plague    
B1 Possessed - Death Metal     3:17
B2 Possessed - Burning In Hell     3:20
B3 Possessed - Evil Warriors     4:20
B4 Possessed - Swing Of The Axe  3:41   
B5 Possessed - The Martyr's Wake  3:52   
B6 Possessed - The Seventh Sign   3:28
 
 

-Line up:

Morbid Angel:
David Vincent: bass, vocals
Pete Sandoval: drums
Richard Brunelle: guitar
Trey Azagthoth: guitar

Possessed:
Jeff Becerra: vocals, bass
Mike Sus: drums
Brian Montana: guitar
Mike Torrao: guitar.
 
 
 



Morbid Angel: Thy Kingdom Come Demo Tape 1986 + Bonus Track
Possessed: Demo Metal-Demo 1984/Metal Massacre VI/Demo Tape 1991 
 
 Unofficial Release.
Label: Chapel Of Souls.