The blood and fire spewed forth onstage by Noctem is a visceral, fitting companion to their unrivaled sound, a vicious black metal assault enhanced with a signature Iberian flourish. Arguably the best-known extreme metal export from Spain, Noctem’s ungodly path put them in front of cult audiences around the world, across Europe, Asia, Russia, and North America. Frontman and founder Beleth graced the cover of the Spanish edition of Metal Hammer in 2018 as a “Hรฉro” of the genre.
The first metal band from Spain to perform in China, Noctem’s unrelenting touring saw them team up with the likes of Marduk, Batushka, Napalm Death, Immolation, and many more over the years. Dozens of prestigious extreme festivals added them to their lineups, including Bloodstock Open Air (UK), Motocultor Festival (FR), Metaldays (Slovenia), and many more.
The band unveiled its fifth full-length studio album, The Black Consecration, in 2019. New Transcendence declared, “The Black Consecration is a superb album, littered with secrets and enticing riffs,” making favorable comparisons to early Emperor and Dark Funeral. Metal Hammer Portugal wrote, “in this particular genre, it is perhaps one of the best Spanish works ever of its kind.”
Noctem follows that career landmark with a new, definitive masterpiece, merging the crushing cacophony of angry, adrenaline-fuelled lust with newfound sorrows and mournful melodic might. Credo Certe Ne Cras (“I Believe With Certainty That There is No Tomorrow”) is a work of art. The album demands to be experienced as much as listened to, invoking ritualistic examination.
As emphasized in the brilliant album opener “I Am Alpha,” Beleth conceived of Noctem over 20 years ago. It grew to monstrous proportions, embodied in the album closer “We Are Omega,” which celebrates the unstoppable lineup completed by Moss (guitars), Tobal (guitars), Varu (bass), and Voor (drums). The band and its ever-widening audience are legions, united in misanthropy and anguish.
Credo Certe Ne Cras broadens its old-school-sounding predecessor's raw, filthy fury with bigger production and melody without sacrificing the frostbitten 200 mph winds of anger and blast beats.
Starting in 1989, Sinister was a band
arising in the middle of the Death-Metal hype. Mike, Andrรฉ, Aad en Ron
were joining forces and the Sinister sound was born. After releasing a
demo, a promo tape followed. Sending out the promo to various labels
resulted in signing up at Nuclear Blast Records, Germany 1991. Their
debut CD ‘Cross the Styx’ saw the light in early 1992, and sold many
copies worldwide.
Many live shows all over Europe followed.
Touring with bands like Suffocation, Cannibal Corpse and Deicide
increased the number of people knowing Sinister. In the years after
that, Sinister succeeded in maintaining their popularity by releasing
their second and third album ‘Diabolical Summoning’ (1993) and ‘Hate’
(1995) and doing many live shows all over Europe and a very successful
55 show-tour through all the USA. Starting in 1989, Sinister was a band
arising in the middle of the Death-Metal hype. Mike, Andrรฉ, Aad en Ron
were joining forces and the Sinister sound was born. After releasing a
demo, a promo tape followed. Sending out the promo to various labels
resulted in signing up at Nuclear Blast Records, Germany 1991. Their
debut CD ‘Cross the Styx’ saw the light in early 1992, and sold many
copies worldwide.
Setlist:
00. Intro 01. The Malicious 02. Transylvania (City of the Damned) 03. Blood Ecstasy 04. Neurophobic 05. Convulsion of Christ 06. Sadistic Intent 07. Epoch of Denial 08. Symphony Nr XII 09. The Science of Prophecy 10. Afterburner 11. The Carnage Ending 12. The Masquerade of an Angel 13. Deformation of the Holy Realm 14. Outro
The history of Scent of Death begins in September 1998, when Jorge (ex-Suffer Age),and Carlos (ex-Osmosis), decide to improve their concept of Death Metal. On December, same year, Bernardo and Nuno (ex-Osmosis) joined the band. With Jorge and Bernardo on guitars, Carlos on bass and Nuno on drums, Scent of Death was born. In the beginning, conception of the first songs and many hours of rehearsals it's all. The band began to record on September 2001, at Taller de Mรบsica, Ourense, Spain. As a result, they released their first MCD, entitled "Entangled in Hate", which was produced and edited by their own. Vocals were performed by Bernardo, assisted on high vocals by Jorge At the end of November of the 2002, Scent of Death finds a new vocalist, Lois. With this new incorporation, the band plays a lot of gigs in Spain and Portugal from 2002 to 2004, playing in the most important underground festivals of these countries. In February 2004, Nuno leaves Scent of Death and the band starts the search for a new drummer. He was replaced by Alfred Berengena, drummer of catalonian Brutal Death Metal band Baalphegor, as a session drummer for the new album. The band signed with Bloody Productions from Spain, in December 2004 for the releasing of Scent of Death´s first album. In January 2005 the drum sessions were recorded at Tribal Art Music Studios, Girona, and in March 2005 the band entered at GonSound Studios, in Vigo, to record, produce and master all the rest with Gonso Pedrido, one of the most important producers in the spanish extreme metal scene . The final result is a full-length CD of FAST, EXTREME AND DARK DEATH METAL, called "Woven in the book of hate", with a great production and massive sound. It was released in June 2005 through Bloody Productions. In 2007 a new drummer, Jorge, joined the band. The band starts the rehearsals and live performances, but in 2010 this new member leaves the band by several musical reasons A new search begins for another drummer, finding the best and most brutal option in Rolando "demolition man" Barros, a legendary musician in the Portuguese underground scene. Lois is expelled from the band because of their lack of interest and he was quickly replaced by Sergio M. Afonso, who provides a higher degree of brutality to the line-up with his voice. After six years, in September 2011, the band stars the recording of the new album, with the drums sessions by Rolando Barros at Brugostudio in Lisbon. In December 2011 the band recorded the rest of the instruments and vocals in a local studio. At the end of January 2012 the sessions was ready to be sent to the producer Andrรฉ Tavares, based in Lisbon, for mixing and mastering, with spectacular results in sound, performance and production. Finally in May 2012, the mastering was finished. The new album is entitled "Of Martyrs's agony and Hate" and is an amazing step forward for the band, evolving into darkness, technique and composition. The cover is a masterful piece of blasphemous art by Yumali Katani, from Metal Artist, and represents a reflect of the brutality inherent in the music of this work. The band signed again with Bloody Productions for a limited vinyl edition of the new album in 2013, and the Cd edition was released through Pathologically Explicit Recordings.
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