martes, 30 de julio de 2019

Wormed + Gaerea 2019.07.27 Kanekas Metal Fest, Cangas do Morrazo (Esp)



 
 
"Let's make one thing clear. We need to stress the fact that our era is lost in a huge void of numbness. We are here to bring and present you what your system could not solve by it self. We'll cover the daylight with ashes and smash the massive skull that's blocking your brain and will to evolve. We're Gaerea."

Discography: 

- Gaerea [EP] (2016)
- Unsettling Whispers (2018)
 
 

                                                                                 









-Setlist:

 01. Santificato
02. Lifeless Immortality
03. Absent
04. Whispers
05. Endless Lapse
06. Void of Numbness
07. Cycle of Decay
08. Catharsis.
 
 


 
 
 
-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-


 

Originating from Spain's capital Madrid in 1998, Wormed immediately made an impact in the death metal scene with the release of their 'Floating Cadaver in the Monochrome' MCD (1999). Following a promo CD under the title 'Voxel Mitosis' (2001), the first studio album 'Planisphaerium' received high acclaim by critics and fans alike in 2003. In the wake of their debut full-length, the Spanish received invitations to international festival shows and touring around the globe. Wormed performed in Japan alongside Goratory and Vomit Remnants and afterwards hit Europe with Malignancy and Despondency.
 A creative hiatus, partly due to line-up changes and filled with re-issues of their previous released as well as the single 'Quasineutrality' (2010) finally ended, when their sophomore album 'Exodromos' came out in 2013. On their third full-length 'Krighsu' (2016), the fast-rising Spanish Sci-Fi tech death prodigies are telling a dystopian cosmic story with lyrics and music joined into an overarching concept. Its intense brutality, dissonant dynamic riffing, and tremendous heaviness combined with an amazing futuristic concept, which introduced the character Krighsu - last human in the cosmos, harvested top reviews and saw Wormed headlining in the US and co-headlining in Europe. 

 





-Line up:

- Guillemoth: Bass
- Phlegeton: Vocals
- Migueloud: Guitars
- V-Kazar: Drums.
 
 
 
 





viernes, 26 de julio de 2019

Kulto Maldito - En La Guerra Kon El Diablo [EP] (2012)


Kulto Maldito tiene origen en el 2002 año de Satanás, primero solo en idea en los oscuros designios de Belial, vocalista y líder de la horda, todo con la maldita intención de crear un metal maldito, satánico y directo a la vena.
En el 2003 se crean las primeras descargas de este engendro de Satán sin poder estos concretarse, se pospone todo hasta el 2004 y se busca guerreros para empezar esta maligna visión anticristiana ya con 4 blasfemias creadas, pero es solo hasta el 2005 ke estas bestias infernales se juntan y dan comienzo a la destrucción.
Hell Tormentor en la batería, Grand Force Misteria en la guitarra, Groteske Murderer from Hell en el bajo crean su demo homónima en el 2006.
N.O.D.D. (Nueva Orden del Diablo) el nuevo demo sale a mediados del 2007, y ya con una alineación estable a finales de Agosto 2007 es terminado el que será el primer full CD de la horda “Kulto a la Bestia”, editado por Obliteration Records de Japón.

 



-Tracklist:

Side A - Kulto:
1. Visión Apokaliptika     01:24
2. En la guerra... kon el Diablo!     05:34

Side B - Maldito:
3. Eskupo tu Nombre     03:47
4. Semen y Sangre     03:23
   

-Line up:

Belial 666: Vocals
  Hell Tormentor: Drums
  Kuervo Psycho-Terror: Guitars.
 
 
 




Label: Uku-Pacha.

Limited edition to 600 copies.

 Released in cooperation with Chalice of Blood Angel Productions.

First 100 copies come with a shirt.

 Recorded in the end November 2011 in Satanic Goat Rekords, Cochabamba - Bolivia.
Mixed and mastered by B6L66L and the Devil.
 
 
 
 
 
 


 
 
 

 
 
 
Kulto Maldito

martes, 23 de julio de 2019

Dissenter - Bloodlust & Blasphemy (2000)

 

Previously known as Bloodlust (1989 - 1996). The band changed it's name to Dissenter in 1996.

1996 - that year after Bloodlust suspended its acitvity, Dissenter was born.

1997 - ''Moral Insanity'' first demo tape recording and two successive tracks titled ''Moral Insanity" and ''The End'' which as ''Dissenter II'' were firmed by Seven Gates Of Hell.

1999 - ''Novum Vox Mortis'' released composition CD ''Disco's Out, Slaughter's In'', where recordings from the second demo were set.In summer 1999 the band recorded the material for their debut album "Bloodlust & Blasphemy". "Novum Vox Mortis" showed its interest to release the Dissenter's debut but preliminary assignations turned out to have finished because Novum Vox Mortis suspended and ended its activity.

2000 - participation in second edition of "Obscene Extreme" festival in Trutnow . "For Kill my Pain" video clip recording. Due to Dariusz Sebastianski, "Bloodlust and Blasphemy" record came out. The video clip has been attatched to the record.

2001 - a promotional period of "Bloodlust & Blasphemy" as well as new tracks preparation,which were later recorded in Hertz studio in Bialystok.

2002 - a contract with Empire Records and "Apocalypse of the Damned" was released. 2002 Thrash'Em All Festival the band took part in . In the West "Apocalypse of the Damned" was released by Cold Blood Industries. The concerts planned in the Netherlands and Belgium were canceled because of personal problems within the band. Heter left the band and Stoker and Rob joined Dissenter.

2003 - "Contamination"(Empire Records) was released. Members of the band are: Garbaty, Mlody, Stoker, Rob. The band guested 2003 Empire Invasion Tour. Crash Music (USA) took promotions in their hands.

2005 - the band entered Hertz studio again where "Furor Arma Ministrat" was recorded. That is the next time when the record came out thanks to Empire Records.

2006 - Dissenter took part in Vital Brutality Tour supporting Vital Remains (+Trauma, Forlorn Legacy, Resurrecturis). Jacek Grecki (ex-Lost Soul) joins the band. Rob is getting ready for his last activity with Dissenter on upcoming album (guest solos). Stoker & Mlody start their another band - F.A.M.

 



-Tracklist:

1. With a Crown of Thorns on Temple     05:13
2. Moral Insanity     04:19
3. Desire...(In My Veins)     03:19
4. In the Empire of Damnation     03:21
 5. ?...for Kill My Pain     04:15
6. Strange to Heaven     02:42
7. Ruling of Conscience     04:24
8. The End     03:58
 
 

-Line up:

Garbaty "Yaha": Bass
Młody: Drums
Heter: Guitars
Sivy: Guitars, Vocals
Maniac: Vocals.
 
 
 








Label: none (self-released).

Recorded & mixed at Katoda Studio-August '99.

Enhanced video, ...for Kill My Pain (04:01)

Released in jewel case with 8-page booklet.  

Producer by Beta Office, Garbaty, Heter.
 
 
 
 
Dissenter

lunes, 22 de julio de 2019

Tourniquet - Where Moth And Rust Destroy [Promo] (2003)



Tourniquet was formed in Los Angeles in 1990. Nineteen albums later, the members of Tourniquet remain committed to creating intense music. Drummer and main songwriter Ted Kirkpatrick’s passion for classical music and technical metal finds its way into many Tourniquet songs, resulting in their music being described as “Beethoven Meets Frankenstein”. As Tourniquet’s music blends elements of many different styles, two things stand out… melody and originality. Tourniquet is known as a “musician’s band” and have appeared in Modern Drummer, Guitar World, and many other musicians magazines.
With worldwide sales of over 350,000 units, over 5,000,000 YouTube views, and fans across the globe, Tourniquet’s presence is unmistakable. Tourniquet has worked with top producers including Bill Metoyer, Jim Faraci, and Neil Kernon. Top musicians have graced Tourniquet albums too - including Marty Friedman, Frank Marino, Pat Travers, Karl Sanders (Nile), Bruce Franklin (Trouble). Due to the classical influence of Ted’s writing - also present on Tourniquet albums are members of the Milwaukee Symphony Orchestra.
Their lyrical influences span a wide range - everything from Old Testament narratives to Edgar Allan Poe type horror. Besides sharing their faith, a unique trademark of the band is their ongoing message of animal welfare. Ted says: “How animals - all animals - are treated matters greatly to me. To have a platform to share that through music is a privilege.”
Tourniquet have performed in the US, Canada, Europe, and South America and fans have been known to drive (or fly) long distances just to see the band play.
Tourniquet has been the recipient of numerous awards and accolades, including HM magazine’s Favorite Band of the Decade, several #1 Metal singles, and six Dove Award nominations. They have appeared in countless magazine, newspaper, and online publications. The success of their “acoustic unplugged” shows has further advanced their strong reputation for musical integrity and versatility.
 

Ted Kirkpatrick:

A founding member of Tourniquet, drummer, songwriter and lyricist. Ted Kirkpatrick’s aggressive, musical, and often unorthodox approach to drumming has been recognized by thousands - critics and fans alike. Ted began playing drums at age 12. By age 14, Ted was playing drums along with the records of many of his early influences, bands like Rush, King Crimson, and ELP. He holds a business degree from the University of Texas, Austin, where he graduated with honors.
Entirely self taught, he began to develop his own unique drumming style through a variety of influences. He is a great admirer of the classical masters and has attended countless classical concerts, and his drumming and songwriting are influenced by the power of Beethoven and Mahler symphonies, the staccato bursts of Scarlatti’s harpsichord sonatas, and the counterpoint of Bach’s fugues, to name a few. His latest solo release (2010) In The Shadow Of The Masters features Ted drumming to classics by Mozart, Beethoven, Rossini, Chopin, Paganini and others.
 
 



-Tracklist:

 1. Where Moth and Rust Destroy     07:15
2. Restoring the Locust Years     03:30
3. Drawn and Quartered     08:11
4. A Ghost at the Wheel     04:19
5. Architeuthis     06:52
6. Melting the Golden Calf     06:53
7. Convoluted Absolutes     05:38
8. Healing Waters of the Tigris     09:32
9. In Death We Rise     07:02
 

-Line up:

Luke Easter: Vocals
Steve Andino: Bass
Ted Kirkpatrick: Drums / Guitar.
 
 
 


 
Label: Metal Blade Records.

Recorded in Wiscosin - September/October 1992.

Comes in a cardboard sleeve. 

Produced by Bill Metoyer for Skull Seven Productions.
This CD contains further promotional info (pics, bios, sheets, logos aso) as CD-Rom part!
For promotional use only. Not for sale! 
 
 




Tourniquet




viernes, 19 de julio de 2019

Venom - The Seven Gates Of Hell: The Singles 1980-1985 (2003)

 
Venom is a metal band formed in Newcastle upon Tyne, UK in 1979.
Coming to prominence towards the end of the 'New Wave of British Heavy Metal', Venom's first two albums – Welcome to Hell (1981) and Black Metal (1982) – are considered a major influence on thrash metal and extreme metal in general. Venom's second album proved influential enough that its title was used as the name of an extreme metal subgenre: black metal.
Venom's original personnel came from three different bands: Guillotine, Oberon and DwarfStar. The original Guillotine featured Jeffrey Dunn and Dave Rutherford on guitars, Dean Hewitt on bass guitar, Dave Blackman on vocals and Chris Mercaters on drums. Blackman and Mercater were replaced by drummer Anthony Bray and vocalist Clive Archer of Oberon and soon after, Dean Hewitt was replaced by Alan Winston on bass. Around the summer of 1979, Conrad "Cronos" Lant from the bands DwarfStar and Album Graecum replaced Rutherford. Around this time, the band adopted the Venom moniker.
Prime influences of the formative band were Black Sabbath, Judas Priest, Motörhead and Kiss. Other bands cited by Venom as an inspiration are Queen, The Who, Deep Purple, Sex Pistols, Van Halen, The Tubes and The Rolling Stones.
A few days before a show at a local church hall, Winston left the band. To fill in, Lant borrowed a bass guitar from Steve Thompson (later to become Venom's first producer). Playing the show with the borrowed bass plugged into his Marshall guitar amp and effects pedals, he created an unnerving racket and the 'Bulldozer Bass' was born.
Venom's lyrics often featured Satanic references, and the band members took on new stage names. Archer became 'Jesus Christ', Lant 'Mr. Cronos', Bray 'Tony Abaddon', and Dunn 'Jeff Mantas'.
In April 1980, the band recorded a three song disc, featuring "Angel Dust", "Raise the Dead", and "Red Light Fever". Soon afterward, six more tracks were recorded for just £50, with Lant taking vocal duties on the song "Live Like an Angel". Archer soon left the band, and Venom's line-up became a trio.
Venom's recording debut was the 1981 single "In League with Satan"/"Live Like an Angel" which was released by Neat Records. Later that year they released their full-length debut, "Welcome to Hell".
Though crudely recorded with sometimes dubious musicianship, "Welcome to Hell" was still a remarkable tour de force for the era. Venom's music was faster and harsher than most heavy metal contemporaries and while Satanism and other dark topics had been featured in metal before, the subject had rarely been more prominent. Lant was quoted as saying that this celebration of evil subjects was inspired by the perceived need to out-do musicians like Ozzy Osbourne of Black Sabbath, who would 'sing about evil things and dark figures, and then spoil it all by going "Oh No, No Please God help me!"'
Their second album, 1982's "Black Metal" is cited as perhaps the most important influence in the development of black metal, thrash metal, death metal, and other related styles that are often grouped under the extreme metal umbrella. Many defining elements of these genres are first found in the lyrics and song titles created by Lant and his unique singing style as well as the guitar work and solos performed by Dunn. Though they would later be cited as important, neither of Venom’s first two albums sold well upon their original release. And while many of their British metal peers had found measures of popular success or critical acclaim (or, like Def Leppard, were moving away from metal towards hard rock), Venom were still regarded by critics as "a trio of buffoons".
In an attempt to prove their status as serious musicians, Venom recorded "At War with Satan" in 1983. The epic 20-minute title track, with substantial progressive rock influences, took up the first side of the LP. The B-side was focused on the rapid-fire, three-minute "scorchers" Venom were known for. In 1985, Venom released their fourth album, "Possessed', which was not as successful as previous albums. Dunn then left the band to pursue a solo career.
Two guitarists, Mike Hickey and Jim Clare, were hired to replace Dunn. Their fifth album, 1987's Calm Before the Storm, moved away from Satanic themes in favor of Tolkien-esque “Sword and Sorcery” material. This was even less successful than "Possessed", and Lant, Clare and Hickey all left Venom after subsequent touring to form Lant's eponymous solo band Cronos.
Bray was left as the only group member, but he was able to convince Music for Nations for a deal to release a new Venom album on the Under One Flag label, using Deadline demo tracks which were recorded with previous line-ups but never released. In 1988, Bray offered a vocals/bass role to Tony Dolan from Atomkraft. Bray and Dolan wrote new material prior to Dunn's rejoining the band along with rhythm guitarist Al Barnes. Together they recorded Prime Evil (1989), Tear Your Soul Apart (1990) and Temples of Ice (1991). Barnes then left the band, and Steve White from Atomkraft was hired as replacement. They released "The Waste Lands" in 1992, also without success. Music for Nations refused to release any more Venom albums, so Dolan and Dunn quit, effectively disbanding Venom. Bray continued to release compilation and live albums up to 1996.
In 1995, Lant, Dunn and Bray reunited the "classic" line-up, beginning by headlining the Waldrock Festival on 24 June 1995. They recorded and self-released the "Venom '96" EP with four re-recorded and one new song, resulting in a record deal with the SPV label. An album, "Cast in Stone", was next released in 1997, split between new material and re-recordings of popular early-'80s songs.
Bray left Venom in 1999 and was replaced by Lant's brother Anthony "Antton" Lant. This lineup released "Resurrection" in 2000 on SPV. However, in 2002 Dunn again left the group and was replaced by a returning Hickey. In late 2005, Venom released a career-spanning 4-disc box set "MMV", which includes an exclusive mini-poster of the band's seven-date tour of Europe with Metallica and a 60 page picture book, with interviews and pictures. The set includes all their best-known songs, along with rarities like live tracks, demos and outtakes. This lineup of the band released the "Metal Black" album.
Hickey left the group 2007, with a guitarist calling himself "Rage" serving as his replacement. This lineup released the record "Hell" in 2008. Anthony Lant has since left the group and has been replaced by drummer Danny "Dante" Needham.
Currently, the band is in the studio recording their next album which is due for release at the end of 2010 and also negotiating some live shows afterwards. Cronos commented saying, "There's a fresh energy with the new line-up and the sessions are going great, Dante is a really big hitter which is fantastic, his playing went down a storm with the South American Legions during our Latin American tour in December 2009. Rage has been tearing up the decibels and cranking his amp valves white hot, so the new album is sounding killer and should be ready to be unleashed end 2010"
 
 


 
-Tracklist:

Disc 1

Side A:
1. In League with Satan     03:30      
2. Live like an Angel, Die like a Devil     03:48
3. Bloodlust     02:59    
4. In Nomine Satanas     03:24      
5. Die Hard (12" version)     03:03      

Side B:
6. Acid Queen     02:28    
7. Bursting Out     02:57    
8. Warhead (12" version)     05:56
9. Lady Lust     02:45    
10. Seven Gates of Hell     05:26 

         
Disc 2

Side A:
1. Manitou (12" version)     04:39    
2. Dead of the Night     04:05    
3. Woman     02:53      
4. Nightmare (12" version)   03:51
      
Side B:
5. Satanachist     02:43    
6. F.O.A.D.     03:02    
7. Witching Hour     04:16    
8. Teacher's Pet / Poison / Teacher's Pet     07:59
 
 

-Line up:
 
 Abaddon: Drums
Mantas: Guitar
Cronos: Vocals, Bass.
 
 
 
 
 



Label: Earmark
Includes all Venom EPs and singles that were released through Neat Records in the eighties, excluding 'assault EPs'.
Includes also an essay written by John Ticker which has information about band's early history and releases that are presented on this compilation.

Ltd. Edition 180 Gram Vinyl. 
 
 





Venom

jueves, 11 de julio de 2019

Mord - Christendom Perished (2006)

 

Mord was founded in 1999 and started out by Nordra, who recorded a first demo as a one man band in 2001, he also entered to studio with a guitarist of the Iuvenes in 2002 to work out serveral tracks but they never finished it. In August 2003 Necrolucas joined Mord as a drummer and in February 2004 Mord entered Necromorbus Studio and recorded their first official demo Unholy Inquisition which gained a lot of interest in the Underground.
Shortly afterwards the Unholy Inquisition was released as a MCD and 7"EP. Developing style of uncompromising musical annihilation Mord recorded first full-lenght album called Christendom Perished, recording session took place at DBX studio in August 2005.
Despite the poor promotion and distribution this album gahtered many good reviews.

In January 2007 the deal with Southern Lord has been terminated.
The 2nd full-lenght album Necrosodomic Abyss is released on Osmose Productions.

 Both members of this band are from Poland. 




-Tracklist:

1. Opus I     04:27
2. Opus II       03:47
3. Opus III     04:33
4. Opus IV     04:41
5. Opus V     04:26
6. Opus VI     04:54
7. Opus VII     06:08
8. Opus IX     03:55


-Line up:

- Nordra: Vocals, Guitars, Bass
- Necrolucas: Drums.
 
 
 
 

 
Label: Antichristian Front Records.
 
Limited to 500 copies. 

Recorded at DBX Studio.
Comes in gatefold cover and A2 poster (first 100 distributed by the band is hand numbered).

 The first track starts after 7 seconds of silence, this is not a pre-track and is likely a mastering error.
 












Mord

viernes, 5 de julio de 2019

Ktulu - Orden Genético (1994) [Reissue] (1996)

 

Founded in November 1986, without a name, and took the moniker Ktulu in early 1987, after Metallica's The Call of Ktulu instrumental composition (in turn, inspired by the writings of HP Lovecraft). The band members pronounce the band's name Kah-toulou.

The band records their first demo in 1987, with only a couple of tracks: Otro Cuento and Legiones de Muerte.

They recorded their second demo in 1988 with 3 songs: Testigos, Uno Más y La Soga.

In 1991 they recorded their first LP with the label «Momentos Thráshicos» (Semaphore).

In 1992 they recorded a new demo of 2 songs No Creo En Ti and Vuelve Mañana with which they perfect their sound and prepare for the jump to the rest of the world.

In 1994 Ktulu changed label, S.M.D. Records in association with another, Hardvinyl Records, and released of their second LP Orden Genético (1994).

Ktulu contributed their song "Apocalipsis 25D" to Alex de la Iglesia's movie El Día de la Bestia (1995).

Put on hold in mid-2002 and reactived in late 2003 with Willy K as the only remaining member, searching for new musicians. Played live again for the first time in April, 2007.





-Tracklist:

1. Mensaje Subliminal     06:31    
2. Autodestrucción     05:25
3. Sin Treguas      05:05    
4. Orden Genético         05:01    
5. Utilizados          04:12    
6. El Ultimo Pájaro     05:02    
7. Deja De Joder     05:30    
8. No Creo En Ti     05:03
 9. Apocalipsis 25 D [bonus]
 
 

-Line up:

Willy K : Vocals
Miguel Suesta : Drums
Pablo : Bass
Montes : Guitars
Jorge Cabrera : Guitars.
 
 
 




Label: Dro East West.
 
 Made by Warner Music Manufacturing Europe.
Recorded at Marathon Estudios.
 
The 1996 reissue contains the song "Apocalipsis 25 D", which appeared on the soundtrack of Álex de la Iglesia's film "El Día de la Bestia".

Recorded by José A. Llop.
 Mixed by Antonio Ribaloba. 
 
 The samples used in the song "Apocalipsis 25D" are taken from the movie The Exorcist by William Friedkin.
 
 
 
 

 
 



Vivo aquí al otro lado de la verja
Lejos de la razón
Un destructivo trauma
Me encerró
Pasos vacilantes sigilosos
Mueven sus torpes pies
Vierten en si sus vómitos
Una y otra vez

Falsas sonrisas
Expectador de mí
Miradas fijas

Piensas que mi vida ya no vale para nada
Siendo prisionero en mi inerte ser

Mi cráneo arde con las descargas
Que una a una sacuden
La energía explota en mis venas
No puedo ver

Todos sus intentos son en vano
Por hacerte volver
A la consciencia de un hecho
Del que escapé

No entiendo nada
Expectador de mí
Sigo la nada

Piensas.....
Piensas.....

A veces por un momento
Creo que soy consciente de alguna existencia
Yo soy el último pájaro del nido
Que olvidado nunca aprendera a volar
Nunca aprenderá
A no volar

Navegando en un limbo de sueños
Que nunca tienen fin
La realidad vive en ellos
Son mi existir

Brujas con uñas sucias y afiladas
Devoran un cadáver
Veo almas asustadas
Por un extraño ser

Valles en la placa
Espectador de mí
Veo mil caras

Piensas
A veces
A veces
A no volar.
 


Orden Genético