Sepultura - Death From The Jungle [back patch] (1990)

 

Back patch ≈ 32x36 cm

 

 

 

Sepultura in Belo Horizonte, 1985

 

Krisiun - The Great Execution (2011)

 

Hailing from Porto Alegre and taking their name from the lunar basin Mare Crisium ("sea of crisis"), Krisiun was founded in 1990 by brothers Alex Camargo (bass, vocals), Moyses Kolesne (guitars), and Max Kolesne (drums). Camargo uses his mother's maiden name.

The Great Execution is their eighth studio album. It was released on 31 October 2011 by Century Media Records and produced by Andy Classen. The album was made available as a digital download, CD and vinyl format, including a limited edition transparent red edition. A limited edition version of the album contains a re-recording of the track "Black Force Domain". A music video for "The Will To Potency" was released on 13 December 2012. A music video for "Blood of Lions" was released on 16 October 2014.

  

Additional musicians:

  •  Marcello Caminha: acoustic guitar on "The Will to Potency" (Intro) and "The Sword of Orion" (Outro).
  •  João Gordo: vocals on "Extincão em Massa".

 

 

 -Tracklist:

 Disc 1

Side A
1. The Will to Potency     06:23
2. The Great Execution     05:18
3. Violentia Gladiatore     05:37

Side B
4. Rise and Confront     05:14
5. The Extremist     05:58
6. Blood of Lions     05:06

33:36

Disc 2

Side A
1. Descending Abomination     05:45
2. Extinção em Massa     06:02
3. Black Force Domain (re-recorded)     05:03

Side B
4. Shadows of Betrayal     08:39
5. The Sword of Orion     07:59

33:28

 

-Line up:

 • Alex Camargo : Bass, Vocals
 • Moyses Kolesne : Guitars
 • Max Kolesne : Drums.

 

 

 

 Label: Century Media Records.

Recorded, mixed and mastered at Stage One Studios.

 Producer, mixed, mastered by Andy Classen.

 Cover: Toshihiro Egawa.

 Extinção em Massa is Portuguese for "Mass Extinction" in English.

 

 

Sepultura - Chaos A.D. (1993)

 

 Chaos A.D. is the fifth studio album by Brazilian Thrash Metal band Sepultura, released on October 19, 1993 by Roadrunner Records. The production was in charge of Andy Wallace and was recorded at Rockfield studios, United Kingdom. Although the album is considered thrash metal, it saw a stylistic departure from the band's earlier style, by incorporating a new groove metal sound. The sound of this album, in contrast to the band's previous works, is darker and heavier, although critics consider that Chaos A.D. it is one of the most important and influential records of all time. This sudden change in style caused a division of opinions among the followers of the band, while some thought that with their new sound they had sold out, others praised the new proposal. 

Chaos A.D. is also Sepultura's only album on Epic Records, who handled its release for North American distribution, as well as the first album to feature Paulo Jr. on bass after having played with the band in a live capacity for several years.

 The song "Kaiowas" is an ethnic acoustic theme was recorded live, amid the ruins of the medieval Chepstow Castle and that became quite a spectacle in live performances, incorporating huge sections of percussion and inviting other bands to play the song together. Jello Biafra, vocalist of Dead Kennedys collaborated on "Biotech Is Godzilla," while Biohazard's Evan Seinfield made an appearance on "Slave New World." In addition, the song "The Hunt" is a covered song by the British group New Model Army. For its part, "Manifest" talks about the Carandiru massacre, a riot in the Carandiru prison in São Paulo, Brazil, in which 111 prisoners died.

Gloria Cavalera, Max's wife, was the manager of the group and was in charge of all the planning, the release process and various matters related to the promotion. The recording studio, in addition to having a reception and control room also it was equipped with pool tables and other features, including a piano used by the Queen band for the single "Bohemian Rhapsody" from the album A Night at the Opera.

 The album was certified gold by the Recording Industry Association of America (RIAA), having sold more than 500,000 units in the United States. United and reached position 32 on the Billboard 200 chart.

 

 

 

RR 9000-2

 

 

-Tracklist:

 

01. Refuse/Resist     03:19
02. Territory     04:47
03. Slave New World     02:54
04. Amen     04:27
05. Kaiowas     03:43       instrumental
06. Propaganda     03:32
07. Biotech Is Godzilla     01:52
08. Nomad     04:58
09. We Who Are Not as Others     03:42
10. Manifest     04:46
11. The Hunt (New Model Army cover)     03:59
12. Clenched Fist     04:57

 

46:56

 

-Line up:

• Paulo Jr. : Bass, Floor tom
• Andreas Kisser : Guitars (lead, 12-string acoustic), Viola caipira, Lyrics (tracks 2, 8)
• Igor Cavalera : Drums, Percussion
• Max Cavalera : Vocals, Guitars (rhythm, acoustic), Lyrics (tracks 1, 3-6, 9, 10, 12)

 

Label: Roadrunner Records.

 Recorded at Rockfield Studios, S. Wales, England.
"Kaiowas" recorded at Chepstow Castle, S. Wales, England.
Mixed at The Wool Hall Recording Studios, Bath, England.
Mastered at Sterling Sound, New York, NY. 

Cover illustration by Michael R. Whelan.

Track 12 contains "Clenched Fist" (0:00-4:57), silence (4:58-5:59), laughter & screams (6:00-8:00)

 

 

 

 

 

Imperious Malevolence + Human Mincer -|- 2003.02.22 Sala Anoeta, Vigo

 

 

A banda surgiu em 1995, criada por antigos membros de outras bandas locais de Death e Thrash Metal e fazendo som próprio desde o início. Seu primeiro CD foi lançado em 1999, chamado “IMPERIOUS MALEVOLENCE” e após esse lançamento o grupo embarcou para sua primeira turnê pela Europa, onde teve as primeiras experiências sobre como trabalhar no cenário underground.

Em 2003 foi lançado seu segundo álbum, “HATECROWDED” e com ele a banda embarcou para a sua maior turnê fora do país, permanecendo no continente europeu por 3 meses e realizando 28 apresentações em países como: Portugal, Espanha, Bélgica, Holanda, Alemanha, República Tcheca, Hungria. Nessa segunda turnê o feito foi muito maior, porque o grupo tinha poucos recursos e precisava que os shows dessem certo, para poderem se manter no antigo continente durante todo esse período. Toda a viagem foi uma loucura, desde comprar carro usado na rua até dormir num local de invasão na Espanha. Tudo isso foi necessário para manterem os objetivos. Apesar das dificuldades, terminaram a tour e já no ano seguinte outra turnê foi feita. Praticamente sem apoio externo, ou seja, com os próprios recursos financeiros e com ajuda de alguns pequenos selos para os contatos, o IMPERIOUS MALEVOLENCE ficou conhecido no cenário internacional como uma respeitada banda de “Brazilian Death Metal”.

No ano de 2006 a banda lançou o terceiro CD, “WHERE DEMONS DWELL”, desta vez por uma conhecida gravadora local, a “Evil Horde Records”, que apoiou a banda na época e arcou com os custos desse lançamento. O CD foi gravado no estúdio Da Tribo, em São Paulo, e ajudou a levar a banda novamente aos festivais de verão pela Europa, em 2008. Desta forma, o grupo curitibano foi novamente desbravar a Europa, participando dos mais importantes festivais da música extrema, tais como “Brutal Assault”, “Metal Heads Mission”, “Under The Black Sun”, “Party San Open Air”. Foi uma ótima oportunidade para reencontrar velhos amigos e poder tocar ao lado de bandas mais mainstream da cena Death e Thrash Metal internacional.

Em 2009, ainda divulgando o terceiro CD, novamente o grupo é convidado a participar de outros concertos no velho continente, tocando em versões de inverno do “Party San Open Air” e também em vários países em que já haviam tocado no passado, mantendo a chama da banda acesa por lá.

No ano 2011, após mais algumas mudanças na formação, finalmente a banda entra em estúdio para registrar algumas composições novas. O EP “PRIESTS OF PESTILENCE” serviu como uma prévia para o próximo álbum, chamado “DOOMWITNESS”, que foi lançado em 2013. Com a nova formação, a banda está ainda mais motivada para divulgar esse novo lançamento e tocar em todos os lugares possíveis.

Em 2018 o IMPERIOUS MALEVOLENCE chega aos seus 23 anos de carreira ininterruptos, e para celebrar esta marca histórica - além de apresentar de forma oficial o novo frontman Fernando Grommtt - o grupo lança seu novo trabalho de estúdio, intitulado “Decades Of Death”, o álbum mostra um power trio afiadíssimo, mantendo a brutalidade que os acompanha desde sua fundação.

Logo após o lançamento de “Decades Of Death”, o então guitarrista Danmented deixa a banda, dando lugar a Will Aguiar que assume o posto e com essa formação seguem divulgando o atual trabalho, bem como trabalhando em novas composições.

 

 Human Mincer were formed in 1996 by a group of friends with the purpose of making a Death Metal band. At first, they began making poor Thrash/Death and soon after, the lead guitarist and the vocalist left the band.
After two years of rehearsing without a vocalist, they tried with a guy called Carlos that fitted very well for the style of the band.

In 1999 Human Mincer recorded a self-produced demo CD called "Grotesque Visceral Extraction" with Gore/Satanic lyrics influenced by American bands. It sold very well in the Spanish Underground scene.
In 2001 Carlos had to leave the band due to personal problems, and Miguel (guitars) replaced him in the vocal duties.

In September 2001 Human Mincer recorded a new promo CD called "Putrefying Your Agony" released by the band themselves, with the help of Qabalah Productions. It includes three songs in a more intense, brutal and technical way.

Soon after the recording, in August, a new vocalist called Edu (ex-Virulence-rip) joined the band, but didn't last for too long because he didn't fit the band's style.

The band has played many concerts with bands like Wormed (Madrid), Avulsed (Madrid), Disgorge (Usa), Animas (Córdoba), Infected Flesh (Barcelona), Lightning (Sevilla) and other brutal bands, including their appearance at the 4th Steel warrior's Rebellion Festival in Barroselas (Portugal) in April '01.

In April '02, their former vocalist Carlos returned to the band and they started to work hard on the final compositions for their debut album "Embryonized" that was later recorded in August of the same year, being released through Xtreem Musuc in October 2002.

The band toured around some spanish cities introducing their first job with Avulsed. They played too in the first edition of the "TraumaFest" in Madrid where they played with bands like Agathocles, Hellnation, Hemorrhage, Machetazo... and in some fest more like "Brutal as Hell Fest" with Imperious Malevolence, Scent Of Death & Chamber Of Shred.

In the begining of 2003 they started the composition of the new songs for the second full length. The date for this edition had to be delayed due to personal problems of Miguel (guitarrist). Finally, in September 2004, eight songs were made and they recorded them at the V.R.S. studios, the same place they recorded their first CD. The title of the album is "Devoured Flesh" and it was released through Xtreem Music in January 2005.

 

Krisiun - Arise from Blackness [Comp] (2012) + Black Force Domain (1995) Reissue [2013]

Once in a while during a band’s career, there comes the moment when you look back and reevaluate your body of work. Such self-criticism can either lead towards an overhaul of one’s stylistic palette or increased awareness for what you truly are. Considering Brazilian death metal brothers Krisiun, such an analysis can cause quite a dilemma. Active since 1990, and renowned for such furious classics as the rabid “Black Force Domain” (1995), 2000’s constantly blasting masterpiece “Conquerors Of Armageddon”, and the merciless yet memorable “Southern Storm” (2008), the band’s trademarks have always been insane tempos, almost inhuman drumming and Lemmy-like roaring vocals negating any sense of ‘hooks’ or ‘melody’. And, let us face it – while Krisiun have become extremely technical and more varied in terms of grooves and rhythms over the years – they are forever committed to deliver the full-on-death-metal -assault that made the group legendary in the first place. Still, after 2015’s “Forged in Fury”, Alex, Max and Moyses realized a different approach was necessary. “It was a bit of a complicated album,” singer/bassist Alex Camargo admits. “There were more slower parts on it and it was also quite long. We still stand behind it 100%, but we doubt it is what Krisiun’s essence is about.”

Thus, for “Scourge of the Enthroned”, Krisiun’s 11th studio album, the group decided to head for a faster and extremely savage record again. Clocking in at an intense 38 minutes – counting in the bonus tracks “Forged in Fury” was almost an hour long – it was also due to producer Andy Classen’s input that “Scourge of the Enthroned” became a real monster: “Working with Andy at Stage One Studio again, felt like coming home. We stayed at his musician’s apartment for almost a month and we all concentrated on capturing an honest, almost live kind of vibe and trimmed the songs harder than on the last one.” Located in the countryside close to German city Kassel, the landscape helped immensely during this period. “There was no distraction at all, that place is in the middle of nowhere and apart from barbecuing with Andy we just worked on the songs like madmen.” Once the album kicks off with the title track, Krisiun’s newest opus hits with an urgency and immediate force that even harkens back to the debut! “You mean the ‘Black Force Domain’ riff in ‘Demonic III’, huh? That song is about the band and our history. After all these years, we felt it was about time we do our own anthem and a riff like that is a bit of a throwback for us and the fans!” In terms of sound, however, the band did not bring back the uncontrolled roughness of “Black Force Domain” yet had a distinct mindset when starting the recording process: “We interpret the album title as us being a scourge for all the plastic death metal out there. You are listening to human beings here not a computer!

All has been recorded and played naturally, and while you can hear all details, it does not go for this ‘American’ sound that is so lifeless and sterile. It is a very organic and heavy album and I think that connects it with the spirit we already had on the debut.” Indeed, sir, and it offers a whole bunch of highlights as well! From the Slayer-like screeching solo opening ‘Devouring Faith’, to the neck-breaking ‘A Thousand Graves’ and rhythmic complexity of ‘Abysmal Misery (Foretold Destiny)’ over to the album’s epic finale ‘Whirlwind of Immortality’, the latter being another track connected to the artwork by Eliran Kantor (Testament, Hate Eternal, Incantation) as Alex explains: “The song is about the Anunnaki, who appear in Sumerian mythology, judging the fates of mankind. Often they are portrayed as seven figures, we have only three appear on the cover since it connects well with ‘Demonic III’.

As Krisiun is about to celebrate its 30th anniversary in 2020, it’s only fair we now appear symbolized as ancient death metal gods on the cover, haha!” Lyrically, the album however does not dig too deep into myths as Camargo confirms: “We deal with religious fanaticism, war, and the tragedy of the refugees, who flee from the fighting in their home countries to end up drowning in the sea or being treated like dogs in the western countries. Reality offers a lot of topics to write pissed off death metal!”

Asked what plans Krisiun have for the months to come, Alex promises a release show in Essen (Germany) on September 7th, a global live onslaught and invites everybody to check out “Scourge of the Enthroned”, revel in its violent glory and adds: “We are one the few three piece bands out there, delivering it tight, loud, raw
and real!”

 

Century Media 998252-2  |  Century Media 9982502


Arise from Blackness (2012)

 1. They Call Me Death     03:00
2. Unmerciful Order     02:35
3. Crosses Toward Hell     02:51
4. Agonize the Ending     02:59
5. Summons of Irreligious     02:53
6. Meaning of Terror     02:14
7. Infected Core     03:48
8. Insurrected Past     00:44
9. Rises from Black     03:44
10. Sinner's Scorn     03:50
11. Evil Mastermind     04:34
12. Prophecies of the Plague     03:51
13. The Dead Are Rising Up     03:11


 • Alex Camargo: Bass, Vocals
• Max Kolesne: Drums
• Moyses Kolesne: Guitars (lead)
• Mauricio Nogueira: Guitars (rhythm) (tracks 1-3, 5-7, 9)
• Altemir Souza (R.I.P. 2002): Guitars (rhythm) (tracks 10-13) 

 Label: Century Media Records.
 Limited edition, Black disc.
  Tracks 1-9 taken from "Unmerciful Order" .
Tracks 10-13 taken from "Curse of the Evil One" (split LP with Violent Hate). 

 

 

Black Force Domain (1995) Reissue [2013]

 1. Black Force Domain     05:19
2. Messiah of the Double Cross     05:02
3. Hunter of Souls     04:04
4. Blind Possession     03:46
5. Evil Mastermind     04:20
6. Infamous Glory     02:06
7. Rejected to Perish Below     04:45
8. Meanest Evil     04:22
9. Obsession by Evil Force     03:44
10. Sacrifice of the Unborn     04:00

Bonus track:
11. Nuclear Winter (Sodom cover)     05:31
12. Total Death (Kreator cover)     03:14


• Alex Camargo: Bass, Vocals
• Moyses Kolesne: Guitars, Keyboards
• Max Kolesne: Drums.

 

  Label: Century Media Records.
 Recorded and mixed at Army Studios (São Paulo), March / April 1995.
Remastered at DMS, Marl.
Co-produced by Krisiun.

 17.9.2002 Sala Anoeta, Vigo (Esp)

Sepultura - Chaos A.D. (1993)

 

Chaos A.D. was a watershed moment for the Brazilian group. Not only was it their major-label debut, it was the album with which they burst out of the conventional thrash. Inspired by hardcore, punk, tribal music and extreme metal, Sepultura were determined to make an album that would set them on a new musical path. But it was producer Andy Wallace who helped them get there. First, the band relocated to Phoenix and spent months writing songs. Then, in order to break routine, Wallace arranged for Sepultura to record the album in Wales at Rockfield Studios.

Once he took hold of the material the band had written, Wallace helped them restructure and refine the songs, come up with new experimental ways to express themselves, like adding the heartbeat sound of Cavalera's unborn child to the beginning of "Refuse/Resist" convincing drummer Igor Cavalera to add a Brazilian tribal pattern to the beginning of "Territory" and working with the band to track a trenchant version of New Model Army's "The Hunt."

Sepultura worked so hard on the music that they didn't really think too hard about naming the album. At first, frontman Max Cavalera decided to name it Propaganda after the sixth track on the record. It made sense since there were songs on the album about censorship ("Slave New World"), organized religion ("Amen") and governmental conspiracy ("Biotech Is Godzilla"). But as the deadline approached to get the album title to the label's art department, Cavalera nixed Propaganda and replaced it with Chaos A.D. — a title he came up with thanks in part to his collection of punk records. "I thought about the Misfits album Earth A.D. and I decided to mix it with the word 'Chaos,' because that is the state of the world we were living in. The record company was freaking out because I turned it into them at the very last second. But it's a much better name than Propaganda."

 The tribal instrumental "Kaiowas" was recorded inside Chepstow Castle in Wales.
When Sepultura hired Wallace to produce the record he insisted the band record the album at Rockfield Studios in Wales. On the way to the studio, Sepultura passed Chepstow Castle — the oldest surviving post-Roman stone fortress in Britain — and Cavalera decided he wanted to record the tribal acoustic song "Kaiowas" inside the building. "I thought it would be so cool recording in a Welsh Castle and it was," Cavalera said. "Andy made it happen. He got all the gear and cables in there. And the place we did it in didn't have a ceiling so when the song starts, when you listen with headphones real loud, you can hear all these fucking seagulls flying around."

The title of "Refuse/Resist" was conceived during a ride on the New York City subway.
One day when he was in New York riding the subway, Cavalera was intrigued by the eccentric characters on the train. One, in particular, caught his eye — an African American man wearing a black jacket decorated with words from a political speech. He liked the punk-rock vibe of the outfit and used the last three words as inspiration for the punk-inspired album opener. "It said 'refuse and resist,' so I used that for the song and then I wrote very simple lyrics: Chaos A.D./ Tanks on the street / Confronting police/ Bleeding the Plebs. They're Discharge-oriented lyrics. I listened to a lot of Discharge at the time and they're as simple as it gets. The songs are like two lines that are really powerful and fucking killer. Even today, 'Refused/Resist' feels like riot music to me."

Dead Kennedys frontman Jello Biafra wrote the lyrics to "Biotech Is Godzilla"
As a longtime fan of early punk-rock bands, including Black Flag, Bad Brains, Circle Jerks and especially Dead Kennedys, Cavalera was excited by the idea of having DK frontman Jello Biafra contribute to the album. He didn't want him to sing, he just wanted lyrics. "I don't think Jello is a bad singer, I just think his lyrics are so great. They're so sarcastic and smart. So I asked him to write the lyrics and he said, 'What should I write about?' I said, 'Anything you want to, man.' So he came up with 'Biotech is Godzilla,' which is about the 1992 Rio Summit, where all these politicians got together and talked about technology. Jello's big theory was that AIDS was invented by scientists in laboratories. It was a disease created by us."

While touring for Chaos A.D., Cavalera was arrested at a festival in Sao Paulo, Brazil, for allegedly desecrating the Brazilian flag.
In 1994, Sepultura were rocking out at a festival in their native land in front of 20,000 people. It seemed like the ultimate homecoming – a celebration of all they had achieved since they burst out of their Brazilian town Belo Horizonte in 1988. But the party came to an abrupt end when someone in the crowd tossed a Brazilian flag onstage. "I picked it up and held it up to the crowd to symbolize Brazilian pride, but I got arrested because someone at the venue said I stepped on the flag as a protest against Brazil," Cavalera recalls. "Suddenly there were 20 cops in my dressing room and I'm being taken to jail and charged for being anti-Brazilian. The story kept growing and growing. People starting saying I spit on the flag, and then I pissed on the flag, and finally, they were saying I shit on the flag. I called my grandmother and she said, 'Why did you have to do that with the Brazilian flag?' And I said, 'Grandma, I didn't do anything with the flag. I just held the flag. Everything else was all invented!'"

 

RR 9000-4

 

-Tracklist:

Side A:
1.     Refuse/Resist     03:19
2.     Territory     04:47
3.     Slave New World     02:54
4.     Amen     04:27
5.     Kaiowas     03:43
6.     Propaganda     03:32

Side B:
7.     Biotech Is Godzilla     01:52
8.     Nomad     04:58
9.     We Who Are Not as Others     03:42
10.     Manifest     04:46
11.     The Hunt (New Model Army cover)     03:59
12.     Clenched Fist     04:57

 

-Line up:

- Andreas Kisser: Guitars (lead, 12-string acoustic), Viola caipira
- Igor Cavalera: Drums, Percussion
- Max Cavalera: Vocals, Guitars (rhythm, acoustic)
- Paulo Jr.: Bass, Floor tom.

 

Co-produced by Sepultura.
Recorded at Rockfield Studios, S. Wales, England.
"Kaiowas" recorded at Chepstow Castle, S. Wales, England.
Mixed at the Wool Hall Recording Studios, Bath, England.
Mastered at Sterling Sound, New York, NY.

 

Sodomizer - The Dead Shall Rise To Kill (2007)

 

Formed in 1999 Sodomizer is a Black Speed Metal band with old school touchs and high pitched vocals from Rio de Janeiro, Brazil.


 1999 - Leatherface and Warlock founded the Speed Devil Metal band Sodomizer in Rio de Janeiro Brazil

2002 - The demo tape Hellkult And Sodomy was recorded at Fast Forward Studio with Leatherface and Warlock playing all instruments. Warlock handled the vocals.

2003 - Sodomizer returned to Fast Forward Studio (with a new line up now Warlock guitars, Leatherface bass, Adramalec drums and Ripper vocals) to record the debut album Tales Of The Reaper. After the vocal sessions were completed Ripper left the band and Warlock returned to the vocals.
Tales of The Reaper was released on LP by Dark Sun records (released in 2004) CD editions were released by Holokaostor Records and Scelza Records.

2005 - Danish label Horror Records released the compilation tape The Dead Walk with the demo tape on side A and a rehearsal on side B. That same year Adramelec left the band. Recording and live duties were taken over by a session drummer.

2007 - German label Iron Bone Head released the split The Horror Can't Stop (7''ep vinyl). The same year the second album The Dead Shall Rise To Kill was released by Marquee Records in Brasil (CD format) and Horror Records released the LP edition.

2008 - Japanese label Deaththrash Armageddon Records released the compilation (CD edition) More Horror And Death Again . Iron Bone Head made the LP Edition (black and splatter).

2011 - The third album Jesus Is Not Here Today was released by Deaththrash Armageddon (CD edition ) and the Brazilian label Morbid Tales released the split with Hellkommander Making The Devil Work (CD edition).
This same year the band made their first tour (Sign Of The Undead Tour 2011) in Europe together with Sign Of Evil (Italy), playing in Finland - Helsinki (Black Flames of Blasphemies II), UK - London, Sweden - Gothenburg, Denmark - Fredericia and Germany - Berlin.

2012 - The drummer Incitatus Post Morten joined Sodomizer

2013 - Sodomizer returned to Europe with the Unholy Carnage Tour 2013 (with Hellkommander) and played in the UK - London and Newcastle, Germany - Berlin and Hamburg, Austria - Vienna, Romania - Bucharest, Denmark - Fredericia, Sweden - Stockholm

2014 - The split Resurrection Of The Dead with Italian band Hands of Orlac (7''ep vinyl) was released by Horror Records. In April they made a little tour (3 Dates In Hell) together with Midnight (USA), playing in Minas Gerais, Recife and São Paulo. In May Sodomizer was the headliner of Ejecucion Metalica in Chile - Santiago.
Leatherface moved to Berlin the same year and Sodomizer and Hellcannon (USA) began the tour Pestilent Wjnd Of Death Tour 2014 - Germany - Hamburg and Berlin, Austria - Vienna, Czech Republic - Pilsen, Italy - Torino, Romania - Bucharest Old Grave Fest III, Belgium - Waregem, Norway - Oslo, Netherlands - Den Haag, Finland - Helsinki.
Before the tour Incitatus Post Mortem left the band and Papa Jupiter joined Sodomizer for this tour.

2015 - Another small tour (Holocaust Cannibal Tour 2015) in Europe - Germany - Under The Black Sun XVIII, Denmark Metal Magic Fest VIII, Netherlands - Den Haag and Tilburg and London UK. That same year before the London gig the guitar player Max The Nekromancer joined Sodomizer.

2016 - The fourth album Confessioni Di Un Cannibale was released by Brazilian label Dying Music Rec. (CD digipack format) and the same year the compilation Evil was realesed too (cd format). A new tour in same year - Carnage And Sodomy Tour 2016 - 2017 : Netherlands - Den Haag and Tilburg, Italy - Florence and Parma, Germany-Hamburg (2017). Later that year the band played two shows,one headlining the Raging Death Date festival and one in Berlin opening for Leather Leone (the voice of classic Canadian band Chastain).

-Tracklist:

01 Blessed By The Virus Of Death
02 Undead Revenge
03 Cenobites
04 Sexual Beast
05 Night Of The Witch
06 Dead By Witchcraft
07 Bring Your Dead
08 Heavy Metal Horror
09 Unholy Forces Of Darkness
10 Katalepsy

 

-Line up:

- Leatherface: Bass, Vocals
- Zombie: Drums
- Warlock: Guitars, Vocals, Keyboards.

 

 

 

 

 

 Label: Heavy Steel Records.

 

Limited to 300 hand-numbered copies.
 

Recorded at Fast Forward Studio, between October 31, 2004 and March 17, 2005.

Mastered: Mauricio Meloni.

Cover: Fabiano Teles.